2-minute character
study to be made in your groups.
You should
create a 2-minute character-based study.
Your character
must have a clear emotional need and you must convey this as the main focus.
Your story might
have two characters in it, but there must be a main one, whose emotional
condition is clear.
Your film should
be an exploratory exercise for your main group piece, so the emotion portrayed
should be evidenced in your longer piece.
These technical
elements need to be considered:
1). No sync dialogue. Although you can use inner voice or
voiceover to help tell the story of the character.
2). The world of your character. Consider
all aspects of mis-en-scene to establish the story world.
3). The use of filmic motifs and key shots
might be considered.
These dates are
related:
Friday
21st February Look at
development of exercise in groups.
Friday
7th March Looking at rushes - you
must have shot something by this date.
Thursday
13th March Present
your finished film.
Please ensure
that you are making notes and doing relevant research for this brief. This will
help in your 2000 word evaluation.
My initial thoughts on the brief were that it could be very challenging to create an emotional attachment as well as an emotional want that are easily conveyed through the use of no sync dialogue in only two minutes. However, our Director, Chris Kenward, had already come up with an idea for a film before we were given this brief, so when presented with it, we all just had to discuss what we could do to make a sequence from the film he is imagining, so it fits the brief given. With the brief and already knowing the synopsis for Chris' idea, I think we can make a really interesting and experimental piece of film that can really engage the audience with our character and want to know the context behind the rest of the wider film.
My role as editor is a tricky one to begin with on this project, as in the industry, it is standard for the editor to not be a major part, if a part at all, in the creating of the film (in terms of actually physically filming it and planning for it) as to not warp or cloud their creative input in post-production. However, as this is only a small 2 minute film with a 5 man crew, it is necessary for me to be involved and help out my peers as much as I can. I hope that helping with the preliminary creative process will not change my outlook and influence when coming to the edit, as I could potentially not be viewing the film with a fresh set of eyes like an editor is meant to do. However, involvement now will help me visualise the directors image, as well as familiarising myself with what is expected of me and what the whole team want to achieve with the film.
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